• FOH

  • We have our own x32 sound board, S32 stage box, and iPad as a control surface. We will use all of our equipment unless an m32 or x32 can be provided by the venue, in which case we will connect our rack by AES50 (cat5e or cat6) and recall the scene used for our show from a thumbdrive on the board. 

  • We have our own engineer.

  • We require an area for our sound desks with minimum dimensions of 6’ wide by 4’ long, and a desk ~32 inches high for our sound. Elevated is preferred but not required, and some type of physical barrier is required if possible.

• Monitors

  • We have IEMs, but require two stage monitors to be provided, with xlrs run to the FOH rack.

• Mics

  • We have all of our own microphones.

• PA

  • If we are using our rack for front of house, we will send the house two xlrs for mains, an xlr for subs, up to 4 xlrs for front fills, and up to 2 xlrs for side fills. These will be run from our FOH rack, as shown on our stage plot.

  • Please provide at least two mains and a subwoofer.

• Hardware and cables

  • As many xlr cables as can be provided will be used.

  • We require 1 small boom mic stand and at least 5 large boom stands.

• What we need from house

  • 5 large boom stands

  • 1 small boom stand

  • PA system

  • Xlr cables

  • Two eight channel stage snakes

  • 32” high desk

  • Rug for sound area

  • 6’ x 4’ minimum sound area with physical barriers

Lighting

• Desk area

  • If a lighting board isn’t available, we require a ~32” desk in the same area as the sound area.

• T-Bar

  • We will have a T-Bar with RGB Pars and an effects light. This needs to be patched into the board using 3 pin DMX.

• Stage Lights

  • We have 6 RGB Pars and two scattered around the stage. These need to be patched into the board using 3 pin DMX.

• Backline Lighting

  • A magic sheet should be provided at least a month in advance.

• Board

  • We do not have a lighting board, so we require use of the venue board.

  • We will patch our lights into DMX channels 425+. If a different universe or different channels must be used, please let us know at least a month in advance with further details so that we can adjust.

Stage

• We require a clean, elevated stage.

• We require all cables run by venue staff to be run along the edges of the stage, and as much room as possible on stage to be uncluttered and open. 

Backline

• We don’t require any backline instruments.

Power

• We require between 3 and 6 circuits. Power should be run in accordance with our stage plot.

Media

• Any video/photo taken by the venue or venue approved personnel should be shared in its entirety with the band.

Touring Party

• Drums, BGV: Grayson Eley

• Bass: Xavier Mayhew

• Guitar, BGV: 

• Keys, BGV: Acer Thompson

• Trombone: Louis Napolitan

• Tenor Sax: 

• Alto Sax: Zoe Keuhl

• Sound Engineer: 

• Lighting Engineer: David Randall

• Photographer #1, Videographer: Anthony N. Rossi

• Photographer #2: 

• Roadie #1:

• Roadie #2:

• Lead Vocals, Band Leader, Tech Manager, Tour Manager: Satori Rossi

Compensation

• Compensation should be transferred by check or Venmo before Satori leaves the venue. If by check, write out to Satori Rossi, with “Compensation for MINC at {Venue Name}” in the memo line.

Merchandise

• We require a merchandise table inside the performance space, not outside.

• We reserve the right to monetize our merchandise throughout the entire show.

• Merchandise sales will go directly to the band, without any venue cut.

Scheduling

• We require at least 90 minutes for setup for a headlining show, and at LEAST 20 minutes for soundcheck.

• We require a full advance at least one month prior to the show. 

• We require at least 30 minutes between soundcheck and the show beginning.

Hospitality

• We require 15 bottled waters.

• We require 8 clean, black towels.

• We require meals for our band and crew. This would be 4 to 5 pizzas.

• We would appreciate light refreshments and snacks before the show. This is very much not necessary, but would be appreciated.

• We require a greenroom or dressing room backstage or accessible.

• We require a space to warm up with a fairly high volume without the audience overhearing.